ποΈ Chapter 04 Β· Topic 01 Β· Indian Paintings
Ajanta Murals & Ancient Paintings
Ajanta fresco secco technique, pigments, Jataka themes, Bodhisattva Padmapani; Bagh caves; Sittanavasal; ancient Indian painting tradition β complete UPSC & PSC notes.
π¨ Ajanta Murals β Technique
- The Ajanta paintings are executed in fresco secco technique β painted on dry plaster (not wet plaster like true fresco)
- Process: rock surface was first roughened; then a layer of clay, cow dung, and rice husks was applied; then a fine lime plaster coat; then the painting was done on the dry surface
- Pigments were mixed with a binding medium (glue, gum, or lime water) to adhere to the dry surface
- Pigments used: red ochre (iron oxide), yellow ochre, lapis lazuli (blue β imported from Afghanistan), lamp black (carbon), white lime, green (from copper compounds)
- Outlines were drawn first in red or brown; then filled with colour; then shaded
- Shading technique: modelling β gradual transition from light to dark to create three-dimensional effect
πΌοΈ Themes and Subjects
- Jataka tales β stories of the Buddha’s previous lives; most common theme; narrative scenes
- Life of the Buddha β birth, enlightenment, first sermon, parinirvana
- Bodhisattvas β compassionate beings on the path to Buddhahood
- Court scenes β kings, queens, courtiers; elaborate costumes and jewellery
- Nature β animals, birds, flowers, trees; depicted with great naturalism
- Apsaras β celestial dancers and musicians
β Most Famous Ajanta Paintings:
Bodhisattva Padmapani (Cave 1) β holding a blue lotus; gentle, compassionate expression; considered the finest painting at Ajanta
Bodhisattva Vajrapani (Cave 1) β holding a thunderbolt; powerful expression
Flying Apsaras (Cave 17) β celestial beings in flight
Dying Princess (Sundari) (Cave 16) β Nanda’s wife fainting on hearing of Nanda’s renunciation
Mahajanaka Jataka (Cave 1) β elaborate court scene
Bodhisattva Padmapani (Cave 1) β holding a blue lotus; gentle, compassionate expression; considered the finest painting at Ajanta
Bodhisattva Vajrapani (Cave 1) β holding a thunderbolt; powerful expression
Flying Apsaras (Cave 17) β celestial beings in flight
Dying Princess (Sundari) (Cave 16) β Nanda’s wife fainting on hearing of Nanda’s renunciation
Mahajanaka Jataka (Cave 1) β elaborate court scene
ποΈ Other Ancient Painting Sites
| Site | Location | Period | Key Features |
|---|---|---|---|
| Bagh Caves | Madhya Pradesh (Dhar) | 5thβ7th century CE | Buddhist; similar to Ajanta; secular themes (processions, musicians); damaged condition |
| Sittanavasal | Tamil Nadu (Pudukkottai) | 7thβ9th century CE | Jain cave; Pallava period; paintings of lotus pond, dancers, animals; fresco technique |
| Badami Cave 3 | Karnataka | 6th century CE | Chalukya; paintings of Vishnu and Shiva; fragmentary |
| Lepakshi | Andhra Pradesh | 16th century CE | Vijayanagara period; ceiling paintings; Shiva, Vishnu, Ramayana scenes |
| Mattancherry Palace | Kerala (Kochi) | 16thβ17th century CE | Kerala mural tradition; Ramayana scenes; vivid colours |
π Kerala Mural Tradition: Kerala has a distinct tradition of large-scale wall paintings (murals) in temples and palaces. Key features: bold outlines; flat areas of colour; five canonical colours (panchavarnam) β yellow, red, green, black, white; themes from Hindu epics and Puranas. Famous examples: Mattancherry Palace (Kochi), Krishnapuram Palace (Alappuzha), Padmanabhapuram Palace (Kanyakumari). The tradition continues today with trained artists.
β Revision Checklist β Ajanta Murals
β
Ajanta = fresco secco = painted on dry plaster (not wet)
β Pigments = red ochre + yellow ochre + lapis lazuli (blue) + lamp black + white lime
β Lapis lazuli = blue pigment = imported from Afghanistan
β Themes = Jataka tales + Buddha’s life + Bodhisattvas + court scenes
β Bodhisattva Padmapani = Cave 1 = blue lotus = finest Ajanta painting
β Dying Princess (Sundari) = Cave 16
β Flying Apsaras = Cave 17
β Bagh Caves = MP = Buddhist = similar to Ajanta
β Sittanavasal = Tamil Nadu = Jain = Pallava period
β Lepakshi = AP = Vijayanagara = ceiling paintings
β Kerala murals = panchavarnam = 5 colours = temple paintings
β Pigments = red ochre + yellow ochre + lapis lazuli (blue) + lamp black + white lime
β Lapis lazuli = blue pigment = imported from Afghanistan
β Themes = Jataka tales + Buddha’s life + Bodhisattvas + court scenes
β Bodhisattva Padmapani = Cave 1 = blue lotus = finest Ajanta painting
β Dying Princess (Sundari) = Cave 16
β Flying Apsaras = Cave 17
β Bagh Caves = MP = Buddhist = similar to Ajanta
β Sittanavasal = Tamil Nadu = Jain = Pallava period
β Lepakshi = AP = Vijayanagara = ceiling paintings
β Kerala murals = panchavarnam = 5 colours = temple paintings